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On Wednesday 3 February 2021 TransArtists organizes a webinar about i-Portunus. During this webinar, representatives from the consortium will give more details about i-Portunus, as well as focus on the current open calls – for music, literary translation and architecture. There will also be presentations from two artists who were beneficiaries of the funding scheme in 2019.

i-Portunus continues to support the mobility of artists, creators and cultural professionals among all countries participating in the Creative Europe Programme. A second pilot project was selected and co-funded by the Creative Europe program and a consortium headed by Goethe-Institut with Institut français and Izolyatsia. This second phase runs from the end of 2020 until the end of 2021.

More than ever i-Portunus mobility is needed to answer to the existing and new needs of the creative sectors by offering a demand-driven mobility scheme that allows direct application through a straightforward and flexible process.

i-Portunus’ main focus is to connect artists and to support international collaborations. This will be done via physical mobility but also, if necessary, by virtual or blended mobility variations.

i-Portunus will launch five open calls for applications, targeting artists, creators and cultural professionals in music, literary translation, architecture and cultural heritage in December 2020, January 2021 and February 2021.

i-Portunus dedicates a total budget of 500.000 EUR with a fixed amount per applicant for transportation and per diem, depending on the destination country and the duration of the mobility.

 

Apply now
i-Portunus for literary translation i-Portunus for music i-Portunus for architecture
Call for applications:
9 December 2020
Call for applications:
9 December 2020
Call for applications:
15 January 2021
Submission Deadline:
28 February 2021
(18:00 CET)
Submission Deadline:
28 February 2021
(18:00 CET)
Submission Deadline:
14 March 2021
(18:00 CET)
i-Portunus Stories
It is worth so much to be able to visit the places you are researching about. I would not have the same outcome if this was not possible. So it means a lot for the project.
Emilie Carlen
This process has afforded us with a heightened sensitivity to different cultural and institutional modes of operating.
Mary Osborn
All in all, I must admit that thanks to the mobility support I had achieved and surpassed the estimated objectives. My performance “An Ongoing Song” has been presented in four cities (Bydgoszcz, Warszawa, Poznań, Kraków) eight times, gathering critical acclaim, large media attention and even an award. I was given a Jury award at the ITSelF Festival in Warsaw, that has been one of the crucial partners in my application. The tour of the performance was enriched with the conversation with audiences after most of the presentations. The second objective of my mobility was to participate in the research exhibition “Creative Sick States: HIV, AIDS, Cancer” in Gallery Arsenał in Poznań. I find this opportunity especially valid in terms of my practice. I had been for the very first presented in such context and was able to forge new relationships with curators and artists invited to create this important presentation.
Szymon Adamczak
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